四平警事之英城惊雷搜索结果

芒果影院

四季拉面物语
日本日语2021(日本)
简单一碗拉麵,就能让你的人生再度翻新。    位于东京人来人往街道的老牌拉麵店备前亭,四十年的岁月提供无数东京饕客身心灵的满足与慰藉。这裡不仅提供美好的餐点,也是许多寂寞人聚集的所在。有人在这裡找到童年的味道,有人在此处遇到终身的伴侣,有人在这小小的空间得到无比温暖的陪伴与鼓励。灯火通明的小店,在植田老闆夫妇的热情款待下,彷彿成了都市寂寞人的重要归宿。从冈山来到东京,透过看书自学,到成为独当一面撑起一间拉麵店的老闆,多年来,植田正基与妻子和子守著小小的店面,除了研发出独门酱油、盐味、辣味噌口味的拉麵,随著四季更迭,植田老闆也利用休假日,跟著老顾客们一同走进日本各地田野,亲手摘取新鲜当季食材,不仅将这些食材与拉麵完美结合,也端出了以现採春笋煮成的竹笋饭、夏季的比目鱼生鱼片、秋天的山药泥拌饭、冬日加上年糕的招牌拉麵等别具巧思的时节料理,让顾客透过味蕾,感受四季的美好光景。    【关于电影】    美国导演的拉麵之旅,一场跨文化的美好飨宴    《四季拉麵物语》以位在东京饭田桥的老牌拉麵店“备前亭”为主角,这间日式风味十足的小店,店面不大、没有华丽的装潢,主要员工只有老闆植田正基和其妻子和子。超过四十年的开店岁月,夫妻二人一大清早便开始备料、熬煮汤头,然后准备等待客人上门。这一切看似平凡到不能再平凡的日常,在美国导演约翰达斯巴哈的镜头记录下,却显得格外兴味十足。特别是镜头跟著植田老闆每一个俐落的动作,聚焦他每一个认真专注的眼神,每个细节都让人实实在在地感受到日本职人“一辈子就做好一件事”的敬业精神。面对这样的文化洗礼,导演约翰达斯巴哈表示,自己第一次拜访便深深被这间小店的气氛迷住了,在这裡能感受到时光倒流,回到了昭和时代的日本,那存在于小津安二郎、黑泽明经典电影中的复古情怀,彷彿被活生生重现在现实生活中,而整个空间陈设,搭配上众人一边喧闹一边大口吃拉麵的模样,也让人联想到伊丹十三的《蒲公英》。导演约翰达斯巴哈表示:“我希望透过这部电影,让观众就算无法立刻亲口品嚐备前亭拉麵的滋味,也能体验到我所感受的美好!”    东京饕客的心灵避风港,拥抱四季的幸福滋味    全片除了深度访问植田老闆夫妇,听他们谈起年轻时因缘际会的相识、相恋、结婚、失意、浪子回头、成功创业等往事;也找来了多位被植田老闆征服味蕾的饕客现身说法。毕竟,身处在全日本最热闹的东京,随处可见比备前亭更奢华、更新颖、口味更多元的拉麵店,那究竟是什麽,让他们多年来始终对这小小的店面流连忘返呢?这群忠实老饕中,有退休人士、忙碌上班族、独居OL、知名独立乐团乐手、外国留学生,走进备前亭的他们,彷彿回到舒适的家。植田老闆总是记得每个人的名字和喜欢吃的餐点,每当他们毫无防备地说起工作的烦恼、人生的瓶颈,植田老闆总是一边煮麵,一边给予真诚的陪伴,让他们从身到心都温暖了起来。到了假日店休,植田老闆更会相揪这群常客们一起上山下海,春天挖竹笋、夏天採梨子、秋天掘山药、冬天捣麻糬,甚至还会跑到千叶海岸附近钓比目鱼。而跟著他们一行人纪录一切的导演约翰也笑称,拍摄期间自己也是不断被植田老闆喂食,拍完整部电影,彷彿尝尽了四季的美好滋味。

芒果影院

格雷斯第四季
英国英语2024
Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James.    Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinosaur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe.    This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle).    Commented John Simm:    “I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.”    Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective.    Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m.    Commented Huw Kennair Jones:    “We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.”    Executive Producer Patrick Schweitzer said:    “I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.”    Author Peter James said:    “As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.”    Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios.    Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip for episode two, Tony Marchant for episode three and Jess Williams for episode four.    Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer.    The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years.    In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances.    You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police.    The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.

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